Anthony Tommasini on composers

THE INDISPENSABLE COMPOSERS

When he began to listen to the great works of classical music as a child, Anthony Tommasini had many questions. Why did a particular piece move him? How did the music work? Over time, he realized that his passion for this music was not enough. He needed to understand it. Take Bach, for starters. Who was he? How does one account for his music and its unshakeable hold on us today? As a critic, Tommasini has devoted particular attention to living composers and overlooked repertory. But, like all classical music lovers, the canon has remained central for him. In 2011, in his role as the Chief Classical Music Critic for the New York Times, he wrote a popular series in which he somewhat cheekily set out to determine the all-time top ten composers. Inviting input from readers, Tommasini wrestled with questions of greatness. Readers joined the exercise in droves. Some railed against classical music’s obsession with greatness but then raged when Mahler was left off the final list. This intellectual game reminded them why they loved music in the first place. Now in THE INDISPENSABLE COMPOSERS, Tommasini offers his own personal guide to the canon--and what greatness really means in classical music. What does it mean to be canonical now? Who gets to say? And do we have enough perspective on the 20th century to even begin assessing it? To make his case, Tommasini draws on elements of biography, the anxiety of influence, the composer's relationships with colleagues, and shifting attitudes toward a composer's work over time. Because he has spent his life contemplating these titans, Tommasini shares impressions from performances he has heard or given or moments when his own biography proves revealing. As he argues for his particular pantheon of indispensable composers, Anthony Tommasini provides a masterclass in what to listen for and how to understand what music does to us. When he began to listen to the great works of classical music as a child, Anthony Tommasini had many questions. Why did a particular piece move him? How did the music work? Over time, he realized that his passion for this music was not enough. He needed to understand it. Take Bach, for starters. Who was he? How does one account for his music and its unshakeable hold on us today? As a critic, Tommasini has devoted particular attention to living composers and overlooked repertory. But, like all classical music lovers, the canon has remained central for him. In 2011, in his role as the Chief Classical Music Critic for the New York Times, he wrote a popular series in which he somewhat cheekily set out to determine the all-time top ten composers. Inviting input from readers, Tommasini wrestled with questions of greatness. Readers joined the exercise in droves. Some railed against classical music’s obsession with greatness but then raged when Mahler was left off the final list. This intellectual game reminded them why they loved music in the first place. Now in THE INDISPENSABLE COMPOSERS, Tommasini offers his own personal guide to the canon--and what greatness really means in classical music. What does it mean to be canonical now? Who gets to say? And do we have enough perspective on the 20th century to even begin assessing it? To make his case, Tommasini draws on elements of biography, the anxiety of influence, the composer's relationships with colleagues, and shifting attitudes toward a composer's work over time. Because he has spent his life contemplating these titans, Tommasini shares impressions from performances he has heard or given or moments when his own biography proves revealing. As he argues for his particular pantheon of indispensable composers, Anthony Tommasini provides a masterclass in what to listen for and how to understand what music does to us.

Guitar for kids...

An educational book "Guitar for Kids"... 36 colour pages with over 70 cartoons, photographic examples, diagrams and illustrations. Guitar for Kids is a clear and fun guide to learn to play Guitar. The book can also be used by guitar teachers for 1-1 or group guitar tuition.

Lord Harewood, Opera book editor dies

George Lascelles, the seventh Earl of Harewood, a member of the British royal family who was an internationally recognized writer on opera, died on July 11 at Harewood House, his family’s home near Leeds. He was 88. George Henry Hubert Lascelles, 7th Earl of Harewood, KBE AM (7 February 1923 – 11 July 2011), styled The Hon. George Lascelles before 1929 and Viscount Lascelles between 1929 and 1947, was the elder son of the 6th Earl of Harewood (1882–1947), and Princess Mary, Princess Royal, the only daughter of King George V of the United Kingdom and Queen Mary. He had a younger brother, The Honourable Gerald Lascelles. Lord Harewood was the eldest nephew of King George VI and was a first cousin of Queen Elizabeth II. He succeeded to his father's earldom on 23 May 1947. A music enthusiast, Lord Harewood devoted most of his career to opera. He served as editor of Opera magazine from 1950 to 1953 and as director of the Royal Opera House, Covent Garden from 1951 to 1953 and again from 1969 to 1972. He served as chairman of the board of the English National Opera (ENO) from 1986 to 1995; Managing Director of the ENO from 1972 to 1985; artistic director of the Edinburgh, Adelaide and Leeds Festivals; Managing Director of the ENO offshoot English National Opera North from 1978 to 1981. Lord Harewood served as a governor of the BBC from 1985 to 1987 and as the president of the British Board of Film Classification from 1985 to 1996. He was the author or editor of three books, Kobbé's Complete Opera Book (ed. 1954, now The New Kobbé's Opera Book, edited with Antony Peattie, latest ed. 1997), The Tongs and the Bones (an autobiography, 1981), and Kobbé's Illustrated Opera Book (ed. 1989).

Wikipedia | Search Amazon.com for Kobbé's Illustrated Opera Book

Zubin Mehta's autobiography

Music maestro Zubin Mehta has come up with an autobiography ‘The scores of my Life’. The book gives a candid insight into his personal, as well as public life. In this book he has discussed about his life, his family, and other interesting incidents. Zubin Mehta was born into a Parsi family in Bombay (now Mumbai), India, the son of Mehli and Tehmina Mehta. His father Mehli Mehta was a violinist and founding conductor of the Bombay Symphony Orchestra. Zubin is an alumnus of St. Mary's (ISC) High School, Mazagoan, Mumbai. Zubin initially intended to study medicine, but eventually became a music student in Vienna at the age of 18, under the eminent instructor Hans Swarowsky. Also at the same academy along with Zubin were conductor Claudio Abbado and conductor/pianist Daniel Barenboim.

WIKI BIO - WEB - IMAGES - SHOP Zubin Mehta

Lang Lang

[photo, Lang Lang, left with your editor]
LISTEN LINK: All Things Considered, July 16, 2008 - Chinese pianist Lang Lang, at age 26, is one of the most visible, in-demand classical musicians in the world today. His concerts usually sell out (he recently played to an audience of 63,000 in New York's Central Park) and he's sold more than a million copies of his CDs and videos.
ON THE WEB | IMAGES | SHOP Lang Lang | Journey of a Thousand Miles: My Story (Hardcover)

BOOKS...

One of the best classical bio books is THE LIVES OF THE GREAT COMPOSERS by the late New York Times music critic Harold C. Schonberg. The New York Times writes:
A smooth, closely woven sequence of brief biographies . . . set in a surrounding continuum of depth and breadth which reflects the author's solid musical culture, his erudition, his command of socio-historic background, and his long experience in every kind and degree of performance is exceptional.

Available here:
Harold Schonberg's Lives of the Great Composers

Thomas Quasthoff: a baritone's memoir

As well-known as it is, Quasthoff's story is still remarkable, from thalidomide baby who was rejected from a prestigious music academy, to an international singing career and three Grammy awards.
WEB LINKS | IMAGES | SHOP Thomas Quasthoff