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    Guitarist Roberto Moronn Pérez researched newly recovered works and found some pieces that had never been recorded


    Following his successful debut album of Spanish composers, Roberto Moronn Pérez performs selected works from the "Andrés Segovia Archive", this time showcasing the French composers. The genesis for this unique project is a collection of pieces recovered in May 2001 at Segovia's home in Spain. These pieces were dedicated to Segovia or commissioned by him, involving composers from eight countries. They were subsequently published as "The Segovia Archive Series" by Edizione Musicale Bèrben. Guitarist Roberto Moronn Pérez researched these newly recovered works and found some pieces that had never been recorded, and those that had were handicapped by poor visibility in the marketplace and limited distribution. This realization sparked the thought that here was an opportunity: a series of recordings organized around the nationalities of the composers in the Segovia Archive.

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    New Releases...

    Organ Polychrome:
    The French School featuring organist Jan Kraybill and the Julia Irene Kauffman Organ, Casavant Frères, Op. 3875. This is the premier solo recording of this new instrument! Strong appeal for organ aficionados and audiophiles!

     

     And now in Hybrid Surround Sound SACD format, the
    Kansas City Symphony's Miraculous Metamorphoses.
    This disc contains both 5.1 surround and stereo SACD layers, as well as a stereo compact disc layer made with the HDCD process for higher fidelity. A limited number of review copies are available. The CD version was released in March 2014.

    Robert Stallman golden age of the flute


    The Bogner's Cafe label presents Robert Stallman in "The Nightingale in Love", a collection of Flute Music of the Late French Baroque. With works by Boismortier, Couperin, de La Barre, Marais and Philidor, Stallman reveals the cultural crosscurrents that gave the flute a central role in the development of French chamber music in the early years of the 18th century. As the flutist who, according to the London Times, "dazzles because of his penetrating artistry", Stallman has recently won kudos here and abroad for performances of his compelling quartet and quintet transcriptions of Mozart and Schubert, recorded for Bogner's Cafe. The Calgary Herald noted that, solely on the basis of his masterful Baroque recordings, Stallman "deserves to be a household name". No flutist better captures the sensuous lyricism, incisive rhythms and highly expressive ornamentation of the French Baroque. And with his characteristic beauty of sound and communicative warmth, supported by his longtime partnership with the superb continuo team of Edwin Swanborn (harpsichord) and Karl Bennion (cello), Robert Stallman once again offers a most appealing invitation to listening pleasure.
    N Y Times
    Available Recordings

    BEETHOVEN Symphony No. 9 "CHORAL"


    Beethoven, Ludwig van
    Opus 125, Symphony no. 9


    Leontyne Price, soprano ; Maureen Forrester, contralto 

    David Poleri, tenor ; Giorgio Tozzi, baritone
    New England Conservatory Chorus


    Boston Symphony Orchestra
    Charles Munch, conductor

    statework.blogspot.com

    Recorded Symphony Hall, Boston, MA 
20 December 1958

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